Trump's 10-Year AI Regulation Ban
When Anthropic CEO Dario Amodei called the proposed 10-year AI regulation ban "too blunt," he wasn't just critiquing policy—he was diagnosing a much...
4 min read
Writing Team
:
Jun 9, 2025 8:00:00 AM
Nothing says "sophisticated international relations" quite like a Chinese state media outlet producing AI-generated music videos that parody Taylor Swift while portraying Donald Trump as an economic supervillain. Welcome to 2025, where geopolitical tensions are now mediated through algorithmic memes and diplomatic discourse happens via TikTok-style content that would make Gen Z cringe.
China's Ministry of Foreign Affairs and state broadcaster CGTN have discovered what every teenager already knew: AI-generated content spreads faster than actual journalism. Their response to Trump's tariff escalation? A multimedia propaganda campaign so unintentionally hilarious it makes North Korea's missile parade videos look understated.
When Authoritarians Learn Internet Culture
Let's appreciate the sheer audacity of this moment. China—a country that blocks Twitter, censors Winnie the Pooh memes, and operates the world's most sophisticated internet surveillance apparatus—has decided to win hearts and minds through AI-generated videos featuring dancing robots and empty shopping carts set to "Imagine" by John Lennon.
The crown jewel of this digital diplomacy disaster is CGTN's "Look What You Taxed Us Through (An AI-Generated Song. A Life-Choking Reality)"—a 2-minute, 42-second Taylor Swift parody that includes the lyric "Groceries cost a kidney, gas a lung. Your 'deals'? Just hot air from your tongue."
Someone in Beijing's propaganda department apparently thought, "You know what will really stick it to American imperialism? A pop music pastiche featuring anthropomorphic kitchen appliances."
But wait, there's more. China's Xinhua News Agency produced an AI film featuring a robot named T.A.R.I.F.F. who chooses self-destruction rather than impose trade restrictions. The robot, speaking in perfect English (unlike the evil doctor with an accent—because subtlety is dead), declares "My existence is defined by the execution of international fiscal actions, with the primary directive being the imposition of tax on foreign imports" before dramatically ending its artificial life.
This is actual state-sponsored content from one of the world's nuclear powers. We've reached peak diplomatic absurdity when international relations include AI-generated suicide melodramas that would be rejected from a high school film festival.
The most delicious irony? China's Ministry of Foreign Affairs posted a video asking "What kind of world do you want to live in?" while offering the choice between an "imperfect world" with "greed" and "tariffs" versus a utopia of "shared prosperity" and "global solidarity."
This from a country currently restricting exports of rare earth minerals, operating debt-trap diplomacy across the Global South, and maintaining concentration camps in Xinjiang. The cognitive dissonance would be impressive if it weren't so transparently cynical.
Meanwhile, Chinese social media users have created AI videos showing Trump, Elon Musk, and JD Vance working in shoe factories—apparently believing this constitutes devastating political satire rather than inadvertently highlighting China's own labor practices. The viral memes, often accompanied by sarcastic slogans like "Make America Great Again" (MAGA) and set to Chinese music, have been amplified by Chinese government officials.
What's genuinely concerning isn't China's ham-fisted attempt at viral diplomacy—it's how effectively these videos are spreading on Western social media platforms. As one expert noted, "Americans really don't care whose propaganda they are spreading or where the meme actually comes from—so they're willing to spread whatever … as long as it furthers their own political messaging."
China's state media discovered something American marketers have known for years: content doesn't need to be good, it just needs to be shareable. Chinese state media uploaded the videos to X and YouTube rather quickly after Trump announced his new tariffs. These videos are several minutes long each and take time to generate. The speed suggests this wasn't improvised—it was a coordinated digital response strategy.
Here's the kicker: while China's propaganda ministry was busy producing AI music videos, their actual economic response was far more sophisticated. China's finance ministry raised its retaliatory tariff on U.S. goods to 125% but said that it wouldn't continue to respond with tit-for-tat increases, arguing that doing so amounts to nothing more than a "numbers game" since current rates already make U.S. imports uneconomical.
The memes are a sideshow to serious economic warfare. While Americans share Chinese-generated content mocking Trump's trade policies, China is systematically working to create alternatives to American technology and foster relationships with European allies spooked by Trump's tariff threats.
China's AI propaganda blitz reveals something troubling about modern information warfare: authoritarian states are getting better at mimicking democratic discourse while democratic institutions struggle to communicate effectively in digital spaces.
When the Chinese Ministry of Foreign Affairs can produce more engaging social media content than most American government agencies, we've entered dangerous territory. Not because their content is good—it's objectively terrible—but because effectiveness in information warfare isn't measured by quality, it's measured by reach and resonance.
The real victory for China isn't convincing Americans that tariffs are bad (economists already know this). It's demonstrating that they can master Western digital communication strategies while maintaining complete control over their own information environment. They're playing offense and defense simultaneously while American digital diplomacy remains stuck in 2015.
Perhaps the most depressing aspect of this digital spectacle is how it represents the broader degradation of serious international discourse. When state-to-state communication happens via AI-generated music videos and robot suicide films, we've abandoned any pretense that global governance requires thoughtful dialogue.
China's propaganda videos are symptom, not cause. They work because we've created an information ecosystem that rewards engagement over accuracy, emotion over analysis, and viral content over verified reporting. Beijing didn't break our information environment—they just learned to exploit the wreckage more effectively than we did.
The joke's on all of us: China discovered that authoritarian messaging works better when it looks like democratic content creation. Meanwhile, democratic institutions are still trying to figure out how TikTok works.
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